When it comes to selecting kitchen chiffonier and countertop materials, there is affluence of befalling to add above intrigue. “Creating that wow agency in a kitchen is all about the abstracts you use and the finishes in which you accept to use those materials,” says Katie Paulsen, an autogenous artist with Maestri Flat in Dallas. “Are you application matte or bright for your acrylic sheens and your metal finishes? Are you utilizing acid or able textures with your countertops and tiles? It’s all about a acceptable antithesis and creating a activity that makes faculty to the client.” Read on to analyze 14 beauteous kitchens boasting avant-garde chiffonier and countertop selections that will affect you—there’s absolutely a blush aggregate for everyone.
Interior artist Michael Habachy knows that back white-on-white is too predictable, done oak cabinets are ideal contenders.
“We capital an automated yet artful attending and feel for this loft, so these abstracts lent themselves to this attending and feel,” says Atlanta-based artist Michael Habachy. “The aerial adverse and textured abstracts add ball and amore to a abreast space.” The authentic white Neolith Estatuario E01 island countertop, a Carrara marble interpretation, plays off the Alpi done breach oak appearance cabinets in a all-important antithesis to the atramentous backsplash and charcoal attic planks.
Soft hues, like blush cabinets, can add an abrupt twist, like this Skipp activity for artist Kate Arends.
When revamping artist Kate Arends’s kitchen space, advance aggregation Skipp commutual Farrow & Ball Skulking Room Blush (No. 295) with a Calacatta Viola marble from Artistic Tile, which has red wine undertones in the slab background. “While painting the cabinets blush may assume like a adventurous choice, Sulking Room Blush absolutely altogether complements the blush and amethyst veining in the countertops,” explains Ian Jaffrey, Skipp’s CEO. “The consistent architectonics has the amore you’d acquisition at a arch accommodation amplitude but with the acquaintance of a home kitchen,” he adds.
Kristina Crestin, a artist based in Manchester-by-the-Sea, Massachusetts, commutual cabinets covered in Benjamin Moore Dakota Shadow (448) with smoke soapstone. Because the kitchen island was formed from ache timberline slabs that Crestin’s audience had saved, she capital to add a bit of adverse back it came to the countertops. “The lighter island actual accustomed us to add a juxtaposing darker countertop and darker cabinets to antithesis the basal bisected of the kitchen, while befitting the high bisected aerial with white acrylic and amphibian shelves,” Crestin says. “The countertop was additionally a cardinal best because the bean will accretion a artlessly age-old attending as it’s used, applicable the amoebic farmhouse aesthetic.”
Interior artist Katie Paulsen with Maestri Flat makes atramentous and white pop with clear tile.
Charcoal atramentous paint, Sherwin Williams Domino (SW6989), is commutual with granite and Calcutta marble in this kitchen advised by Dallas-based Maestri Studio. “The aggregate of atramentous and white in a amplitude is a complete way to actualize beheld interest,” Paulsen notes. “The two colors calm actualize adventurous and admirable patterns that can be done in any appearance and added to any setting.” Leaning in on the atramentous palette gives the kitchen a added adult vibe, abnormally back set adjoin assumption accents.
Glossy atramentous countertops adjoin arch white cabinets and backsplash attending like eye bonbon in this Maestri Flat kitchen.
Maestri Flat makes white cabinets commutual with aphotic countertops attending beauteous too. In this kitchen, Sherwin Williams Snowbound (SW7004) ancestor adjoin atramentous granite. Back color-blocked, white carries the eye about the space, and the atramentous countertop ambit and matte lighting accessories accentuate the acme or amplitude of a space, Paulsen explains. Plus, a white-and-black kitchen palette is a around-the-clock combo: “[The colors] can be acclimated as a starting point to body up to what you appetite your amplitude to become, or acclimated interchangeably with any blush that already exists in your home,” Paulsen adds.
Interior artist Victoria Sass created a Gucci-inspired kitchen that is absolutely en vogue.
Victoria Sass—the arch and architectonics administrator of Prospect Refuge Flat in Minneapolis—was aggressive by Gucci’s Spring 2020 aerodrome appearance back designing this kitchen. “I absolutely alone aeon for this activity and absitively to accomplish every adventurous best possible,” she says. “Red and blooming are commutual colors, so they artlessly assignment able-bodied together, and the bottle backsplash echoes the agleam arrangement of the bright cabinets.” Sass corrective the high cabinets and the island top in Sherwin Williams Flower Pot (SW6334), and she coated the lower ones in Benjamin Moore Dunmore Blooming (CW-540) while opting for an aboriginal quartz countertop that premiered in the early aughts and is almost terrazzo-like with its chunky pieces of glass embedded in resin. “Today, the new quartz designs are all trying so hard to look like real stone, but I enjoyed the sincerity and nostalgia of this apathetic material.”
Custom cabinets in a azure hue attending alike bigger back commutual with blue-tinted quartz countertops, as apparent in this Bakes & Kropp kitchen.
A custom Bakes & Kropp blush alleged St. Claire Blue, bogus by The Acrylic Laboratory, is commutual with the airy Cambria Portrush quartz which appropriately appearance swirls of blue. “In any kitchen project, we acclaim creating accustomed access that aren’t contrived,” says Bob Bakes, cofounder and arch of architectonics at Bakes & Kropp, a New York–based cabinetry manufacturer. “The dejected cast in the quartz relates to the dejected of the cabinetry and helps the elements antipodal with anniversary other,” he adds. Bakes durably believes in the ability of “blended balance” aural a space, noting, “I like to say that every aspect in a kitchen should accept a acquaintance to allocution to.”
An icy booty on bright cabinets and snow white countertops—a Sarah Jefferys Architectonics Interiors project.
Sarah Jefferys, architect and arch of Sarah Jefferys Architectonics Interiors, commutual bright dejected Alno kitchen cabinets with a hardly brindled Dupont Zodiaq Snow White counters for a beginning booty on a comestible sanctuary. “The matte white cabinets and countertops seamlessly assignment calm for a glassy basal kitchen, while the high cabinets pop with a burst of bright color,” the New York–based artist explains.
Andrew Pollock would adorned this Sarah Jefferys–designed kitchen.
For clear bond brace chicken ache cabinets with matte whitening stain and Bianco Gioia marble. “I adulation the adverse of balmy ablaze copse and cool, affected marble,” Jefferys says of the chastened yet antic combo. “The colors and assorted grains in both abstracts accompaniment anniversary added beautifully.”
The affluent blush comedy of Ceppo di Gré countertops brilliant in this BoND-designed kitchen.
Tones of biscuit don’t accept to be boring. Cabinets from Italian maker Molteni&C and Dada coated in a matte bark biscuit accomplishment are installed alongside terrazzo-like Ceppo di Gré stone. “The bean has a admirable arrangement that creates a adverse with the glassy abreast attending of the cabinets,” says Noam Dvir, cofounder of New York City architectonics and interiors close BoND.
Design flat Workstead knows a affair or two about bond bawdy tones.
Cabinets in Farrow & Ball Picture Gallery Red (No. 42) accompaniment the Rojo Alicante marble from Spain that graces the countertop in this amplitude by Brooklyn-based architectonics flat Workstead. Why go for a tone-on-tone look? It adds abyss after overcomplicating the blow of the design. Workstead cofounder Stefanie Brechbuehler chose to assignment with chiffonier acrylic and countertops in the aforementioned blush and burnish to drag the appearance in a celebrated abode clad in monochromatic walls, trim, windows, and moldings. The final architectonics came calm to improve the space.
Bring the alfresco in a Paolo Ferrari Studio.
For a kitchen that boasts ample windows with astounding alfresco views, comedy up the accustomed palette and textures, as apparent in this kitchen by Paolo Ferrari Flat in Toronto. “For us, this kitchen was all about adulatory the island and the angle to the exterior,” says Paolo Ferrari. The brushed and whitewashed Douglas fir cabinets and Cambria matte quartz in Winterbourne (which about looks like limestone) actualize a ambit meant to alloy in with the autogenous architecture. The island—a salvaged bedrock taken from the property—is the point of contrast.
A periwinkle dejected can brighten any kitchen, abnormally one with aphotic accents, as apparent in this Christopher Peacock project.
New York artist Christopher Peacock of Christopher Peacock Cabinetry chose Hambledon Blue—a adumbration from his own acrylic collection—for the cabinets in this kitchen, bond it with complete atramentous granite. “It’s my booty on a periwinkle dejected with a hardly grayer association and a admirable bendable sheen, not too shiny,” Peacock says of the color. The end result? “A simple aggregate of dejected and black, but arresting and practical,” the artist says.
Christopher Peacock plays up balmy copse and air-conditioned tones.
Combining the affluent walnut copse and comfortable gray acrylic (Abbey Walls from the Christopher Peacock Collection) accentuates the multi-gray after-effects of the Cambria abstracts on the countertops. “I like a basal but all-embracing look,” Peacock says.
Originally Appeared on Architectural Digest
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